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Ethnic Minority People

Ethnic Baskets

COMMITTED, EXCLUSIVE DISTRIBUTORS SOUGHT

These baskets are NOT currently for sale.

The items shown here are examples of some of the designs available from the master craftsmen with whom we have personal and professional relationships.  

Unlike other products shown on these pages, V V G acts as the principal and not the agent. 

We have a direct interest in these products and their manufacture.  We are in the process of reviving the weaving trade, not simply seeking to reproduce old-style baskets.  While some individual old baskets are available, we will sell only new baskets that appear to be the same, and to the trade only in wholesale quantities.

Scroll down to see details of these baskets and what makes them so special.

We are in the process of seeking established regional distributors who will be given exclusive territories for five (5) years subject to meeting annual take-or-pay commitments.  Write to tell us of your interest in becoming our distributor.

HISTORY

Vietnam has 54 separate ethnic minority people in its vast population.   Many have their own language, not merely a dialect of Vietnamese. They also have their own culture and customs.

There are few if any physiognomy differences between the people of Vietnam, yet it is easy to distinguish the people from the Minority tribes from their more prosperous and sophisticated Viet neighbors.

Many of these people produce almost all the essential products for their own use, with only infrequent trips to more central markets for trade each year. 

With strict gender-based divisions of labor, the work done collectively does not yield a commodity, but a part of the best possible product for the community.

Many produce household articles that are well known and distinctive.  Woven products are quite diversified, with most articles made from rattan or various species of bamboo.  Each is decorated in a simple but beautiful pattern.  Some are for daily use, while others are for ritual  or labor. 

Whether baskets, sieves, back-packs, mattresses, chairs, fishing traps, tobacco boxes and more, it seems strange to the more sophisticated societies that in their own culture, these ethnic people prefer the more modern pieces to the old.

These craft products are loosing their local market viability as they cannot compete favorably with industrial commodities that are mass produced and sold widely at cheap prices.

Goods are traditionally not sold for profit but bartered at even exchanges for the value of labor.  Until the establishment of craft villages, the people did not have any economic incentive to specialize in making such products.

In some ethnic minority societies, only one month a year was allotted for making woven products, whether baskets, wattles for drying rice, or repairing and building new granaries for storage of rice.

The products shown here are made by members of various ethnic minority people who now seek to keep their craft skills alive and pass them on to succeeding generations. 

In an ever-changing and more modern world, that task becomes all the more difficult with each passing year.

For the collector of fine handicraft products, that only adds to the value of the collection.

However, for the people of the land, to preserve their heritage, it is deemed a necessity that these crafts continue.

Woven products of Vietnam's ethnic minorities in various forms reveals the following distinctive characteristics:

  • Unique breakthroughs in form, curve and sculpture
  • Unique application of decorative patterns
  • Unique colors and use of colored leaves, woods and fabrics
  • A distinctly Vietnamese esthetic element of overall design and function.

 

V V G alone has a unique relationship with the leading Master Weavers in Thailand and  Vietnam. We are the  exclusive buyers of the entire production lot of each village that weaves for us. The same Master Weavers who are now in their 70s and 80s, are for the first time in decades teaching young apprentices, who themselves are in training to become journeymen.

For the first time ever, these works of art will soon be produced in commercial quantities for the sale to discerning buyers.  No where else in the world are baskets of these sizes and complexity made.

We feature only baskets woven by the top Master Craftswomen. These are their best designs that come from the Ba-Na and  Se Dang peoples of the Central Highlands in Vietnam, and the Padong and Hmong peoples now in Thailand

Scroll down and enjoy our baskets and see the Ethnic Minority People of the Highlands, how they make, and use these magnificent baskets today.

Due to extremely difficult local conditions, commercial production in Vietnam has been slower than expected. Commercial production can start as soon as we locate a distributor. Write to tell us of your interest in becoming our distributor.

Each of the baskets pictured is 20+ years old. 

BASKETS FROM VIETNAM

We are looking for a distributor for these products.

The images on this page show the incredible detail of the master basket maker's craft.

You will need to click on each small image and then use your browser's close up feature. or copy the images to your local drive and use another program to open each with and use that programs close-up feature.

A one "yar" basket. Yar is a measure of rice = 1 bushel. A two yar basket = 2 bushels
Outside Height 34"  Inside height 23" Diameter 12" Outside Height 35"  Inside height 23" Diameter 16"

Each basket presently takes it's master craftsman more than one month to make.  Details of the making of these baskets are demonstrated by a middle age apprentice, below.

VVG has developed with the master craftsmen and their villagers a revival and improvement on an old manufacturing concept perfectly suited for this village craft.  Under our procedures,  a master craftsman will produce as many as 10 one-yar baskets a month and train new master craftsmen in less than one year's time.

The present average age of the few remaining master craftsmen is over 80.  We estimate that this craft will be (i) saved and revived, able to produce commercial quantities of these magnificent baskets, in less than three years; or (ii) lost for all time in less than 5 years as the remaining master craftsmen age and die.

Notice how the basket tops are made from the stem of the Lo-O plant. The stem is cut into reeds or stays that are still attached to the stem. When completed, these take on the form of a stem from a piece of fruit.  The reeds or stays are spread and then concentrically woven with smaller reeds .  Under the stem reeds or stays are placed a layer of leaves and under them is secured a 3rd layer of woven reeds or stays that is then bound to the top.

A similar process is used for the body of the basket except that each stay is hand carved to its narrow flat or round shape before being woven in place. The weaving is not layered but so tight as when new to be water-tight. Only the bottom is woven with small spaces to allow the escape of rain water but not rice grains.

Contributing to this unique design is the water- and rice-tight wave, the intricate weave of the top, and the exterior design weave. There are no other baskets like this produced in the world.

The top of the basket is formed by the stem of the  Lo-O plant that forms the handle by which the top is held and removed. The reeds or  stays, cut from the stem, remain attached. These plants are very much like rattan, solid wood that must be cut, trimmed and formed while still green, soft, and pliable.
       
Each master craftsman has his own design that he places on each basket. The ancient designs are often found in other woven products and can be found as far away as South America.
       
.Neither daylight nor water come in from the tops. These baskets were in use for more than 20 years. Over time with use the inner layer of leaves will deteriorate allowing some daylight through.  Even though, when these were cleaned with a high power water nozzle, no water entered.
       
These images show that day light does not enter the baskets.  We can also see the work that goes into the  interior of each The inner layer of leaves & daylight can be seen to release water but not rice. These baskets are each at least 20 years old.
       
Sedang youth using a one-yar basket,
20 year old (boy and basket) in 1999.
Using an old basket as model for the new. The strips or reeds are first whittled to size. Then the still green sticks are rounded and shaped.

Write to tell us of your interest in becoming our distributor

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